 |
114 kw |
2006 |
Siegrun Appelt |
|
 |
160 kw |
2007 |
Siegrun Appelt |
|
 |
3e Biennale de Paris 1963 |
1963 |
Groupe de Recherche d’Art Visuel (GRAV) |
|
 |
49 Nord 6 Est POV |
2012 |
Douglas Wheeler |
|
 |
A Chamber for Horwitz |
2015 |
Haroon Mirza |
|
 |
A logo for America |
1987 |
Alfredo Jaar |
|
 |
āāā - Fear of the Unknown remix |
2016 |
Haroon Mirza |
|
 |
Accommodating the Epic Dispersion – On Non-cathartic Volume of Dispersion |
2012 |
Haegue Yang |
|
 |
Agujero Negro (Cygnus X 1) |
2014 |
Björn Dahlem |
|
 |
All Places Are Temporary Palaces |
2012 |
Robert Montgomery |
|
 |
An Additive Mix |
2015 |
Liz West |
|
 |
Archive Dreaming |
2017 |
Refik Anadol |
|
 |
Astro 5 |
2014 |
John M. Armleder |
|
 |
Atmosphere |
2015 |
Chris Fraser |
|
 |
Aube bleue |
2018 |
Claude Lévêque |
|
 |
Auseinandernehmen |
2012 |
Max Sudhues |
|
 |
Ba-O-Ba |
2002 |
Keith Sonnier |
|
 |
Birdcage 2017 |
2017 |
Jeongmoon Choi |
|
 |
Bit.Fall |
2016 |
Julius Popp |
|
 |
Black TV |
1968 |
Aldo Tambellini |
|
 |
Blind Light |
2007 |
Antony Gormley |
|
 |
Blind Spot |
2002 |
Fred Eerdekens |
|
 |
Blue Invasion |
2006 |
Toni Oursler |
|
 |
Blue, red and yellow |
2001 |
Ann Veronica Janssens |
|
 |
Bodymovies |
2001 |
Rafael Lozano-Hemmer |
|
 |
Boxenstop |
2000 |
Daniel Hausig |
|
 |
Broken Light |
2014 |
Christoph Dahlhausen |
|
 |
Chantier Marché |
1999 |
Silvio Wolf |
|
 |
Character |
2017 |
Hartung and Trenz |
|
 |
Chromosaturation |
1965 |
Carlos Cruz-Diez |
|
 |
Cinemaczz |
2016 |
Vollrad Kutscher |
|
 |
Cloud Square |
2019 |
Karolina Halatek |
|
 |
Cochons Pendus |
1994 |
Patrick Raynaud |
|
 |
Complementary Afterimage |
2015 |
Liz West |
|
 |
Connect, Back to Back |
2015 |
Regine Schumann |
|
 |
Container |
2006 |
molitor&kuzmin |
|
 |
Continuel-mobile, continuel-lumière |
1963 |
Julio le Parc |
|
 |
control-release |
2008 |
HItoshi Kuriyama |
|
 |
Cyclocopter |
2014 |
RaumZeitPiraten |
|
 |
Das Treibhaus der Wunder |
2016 |
Francesco Mariotti |
|
 |
Das Zerfließen der Räume |
2013 |
Rainer Plum |
|
 |
Data-Verse |
2019 |
Ryoji Ikeda |
|
 |
Depot |
2010 |
Christine Schulz |
|
 |
Der neue Mieter |
2011 |
Susanne Hofer |
|
 |
Destructive Observation Field |
2014 |
Robert Henke |
|
 |
Don’t look into the light |
2013 |
Dennis Parren |
|
 |
Double Enlightenment |
2014 |
Jeppe Hein |
|
 |
Double Vision |
2018 |
Jeongmoon Choi |
|
 |
Dress Vehicle – Yin Yang |
2012 |
Haegue Yang |
|
 |
Drip |
2004 |
André Bless |
|
