Robert Henke
| Zuordnung | Künstler_in Mann |
|---|---|
| Verbundene Person(en) | |
| URLs | Website Künstler_innen Wikipedia Youtube |
Forschung und Lehre
Lille, Frankreich
Professeur Artiste, Le Fresnoy, Studio National Des Arts Contemporains
Forschung und Lehre
Berlin, Deutschland
Professor für Sounddesign, Universität der Künste Berlin
Ausbildung
Potsdam-Babelsberg, Deutschland
1988 wurde Henke in München als Studiotechniker engagiert. 1990 begann er an der Technischen Hochschule Berlin ein Studium mit den Fächern Informatik und Kommunikationswissenschaften, wechselte aber 1992 an die Hochschule für Film und Fernsehen „Konrad Wolf“ Potsdam-Babelsberg, um ein Studium der Tongestaltung aufzunehmen. Henke beendete dieses 1996 erfolgreich mit einer Abschlussarbeit über die Echtzeitmodellierung nichtlinearer Distortionen von Schallplatten.
Geboren
München, Deutschland
Arbeitsorte / Ateliers
Berlin, Deutschland
Robert Henke is a composer, installation artist and software developer, born 1969 in Munich, Germany. He is mainly known for his contributions to contemporary electronic music and for his laser works. Coming from a strong engineering background, Henke is fascinated by the beauty of technical objects. Developing his own instruments and algorithms is an integral part of his creative process. He utilises mathematical rules, controlled random operations and complex feedback loops to build the machines driving his art. Many of his installations change slowly and over long periods, and are specifically conceived or adapted for unique locations and their individual properties. Robert Henke's musical work has a particular focus on rhythm, timbre and color, and he is recognised as a pioneering explorer of surround sound and wave field synthesis. His long term musical project Monolake, founded in 1995, became one of the key icons of a new electronic club music culture emerging in Berlin after the fall of the Wall. Robert Henke is also one of the main creators of the music software Ableton Live, which since its invention in 1999 became the standard tool for electronic music production and completely redefined the performance practice of electronic music.
http://roberthenke.com/interviews/bio.html
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Destructive Observation Field | 2014 | Robert Henke | |
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Fragile Territories | 2012 | Robert Henke | |