Golan Levin and Collaborators (FLONG)

ZuordnungKünstler_in
Mann
Verbundene Person(en)
URLsWebsite Künstler_innen
Wikipedia
Institutionen/Museen


Ausstellungen
Einzelausstellung2014F.U.C.K. & QR Codes for Digital Nomads Aksioma Project SpaceLjubljana, Slovenia
Einzelausstellung2011EyeCodes The Beall Center for Art and TechnologyIrvine, USA
Einzelausstellung2007 - 2008Golan Levinbitforms gallery, NYCNew York, USA


Sammlungen
San Francisco ExploratoriumSan Francisco, USA
American Museum of the Moving Image, NYCNew York, USA
Whitney Museum of American ArtsNew York, USA
Australian Center for the Moving ImageSydney, Australien
Ars Electronica Museum of the FutureLinz, Österreich


Bibliograpie
InternetGolan Levin and Collaborators ProjectsLINK
InternetGolan Levin and Collaborators ProjectsLINK
InternetGolan Levin and Collaborators ProjectsLINK


2009
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Forschung und Lehre

Pittsburgh, USA
Since 2009, Levin has also held the position of Director of the Frank-Ratchye STUDIO for Creative Inquiry at CMU, an interdisciplinary research unit dedicated to supporting projects at the intersection of arts and technology.

2009
2004
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Forschung und Lehre

Pittsburgh, USA
After his graduate work at MIT, Levin taught computational design in various schools in New York City, including Columbia University, Cooper Union, and Parsons School of Design before accepting a position at Carnegie Mellon University (CMU) in Pittsburgh in 2004.

2004
1994 - 2000
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Ausbildung

Boston
Levin received a self-designed Bachelor's degree in Art and Design at the Massachusetts Institute of Technology in 1994, and a Master's degree in Media Arts and Sciences from the MIT Media Lab in 2000.

1994 - 2000
- 1972
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Geboren

New York, USA

- 1972

Golan Levin develops artifacts and events which explore supple new modes of reactive expression. His work focuses on the design of systems for the creation, manipulation and performance of simultaneous image and sound, as part of a more general inquiry into the formal language of interactivity, and of nonverbal communications protocols in cybernetic systems. Through performances, digital artifacts, and virtual environments, often created with a variety of collaborators, Levin applies creative twists to digital technologies that highlight our relationship with machines, make visible our ways of interacting with each other, and explore the intersection of abstract communication and interactivity. Levin has exhibited widely in Europe, America and Asia.

Levin's work combines equal measures of the whimsical, the provocative, and the sublime in a wide variety of online, installation and performance media. He is known for the conception and creation of Dialtones: A Telesymphony [2001], a concert whose sounds are wholly performed through the carefully choreographed dialing and ringing of the audience's own mobile phones, and for interactive information visualizations like The Secret Lives of Numbers [2002] and The Dumpster [2006], which offer novel perspectives onto millions of online communications. Previously, Levin was granted an Award of Distinction in the Prix Ars Electronica for his Audiovisual Environment Suite [2000] interactive software and its accompanying audiovisual performance, Scribble [2000]. Other projects from recent years include Re:MARK [2002], Messa di Voce [2003], and The Manual Input Sessions [2004], developed in collaboration with Zachary Lieberman, and Scrapple [2005] and Ursonography [2005]; these performance and installation works use augmented-reality technologies to create multi-person, real-time visualizations of their participants' speech and gestures. Levin's current projects, such as Opto-Isolator [2007] and Double-Taker (Snout) [2008], employ interactive robotics and machine vision to explore the theme of gaze as a primary new mode for human-machine communication.

https://www.cmu.edu/cas/people/levin_golan.html

 

 

 

Besondere MerkmaleLight & Sound
Media Art / Elektronische Medien
Eyeshine photo Eyeshine 2011 Golan Levin and Collaborators (FLONG) 
Ghost Pole Propagator II photo Ghost Pole Propagator II 2016 Golan Levin and Collaborators (FLONG)