 |
All art has been contemporary |
2005 |
Maurizio Nannucci |
|
 |
Aube bleue |
2018 |
Claude Lévêque |
|
 |
Be Amazing (White) |
2013 |
Sylvie Fleury |
|
 |
Cloud Square |
2019 |
Karolina Halatek |
|
 |
Desk Lamp, Crash |
1998 |
Bill Culbert |
|
 |
Ein Stück urbaner Landschaft |
2015 |
Michel Verjux |
|
 |
Fall From Grace, Miss Pipi's Blue Tale |
2011 |
Kara Walker |
|
 |
Fibonacci-Reihe |
2000 |
Mario Merz |
|
 |
Florence |
1996 |
Jenny Holzer |
|
 |
Happô-En |
2001 |
Yoshiaki Kaihatsu |
|
 |
Heimleuchten |
2016 |
Eberhard Bosslet |
|
 |
Horizontal Technicolour |
2002 |
Angela Bulloch |
|
 |
Im Vorübergehen |
1993 |
Günter Dohr |
|
 |
iphone 09.01.2007 |
2017 |
Brigitte Kowanz |
|
 |
Kinetic Skyline |
2016 |
Bill FitzGibbons |
|
 |
Lichtgrenze |
2014 |
Christopher Bauder |
|
 |
Lighthouse |
2001 |
Vadim Fishkin |
|
 |
LightRails |
2013 |
Bill FitzGibbons |
|
 |
MQ10 Architectural staging of the Leopold Museum |
2011 |
urbanscreen (Kollektiv) |
|
 |
Mur Island Graz |
2002 |
Vito Acconci |
|
 |
My Component, My Enemy, My Oppressor, My Love |
2008 |
Kara Walker |
|
 |
Neon Structure |
2009 |
Thorbjoern Lausten |
|
 |
New Light on Rome 2000 |
2000 |
Peter Erskine |
|
 |
No moore excuses |
2013 |
Maurizio Nannucci |
|
 |
Prime Time / Prime Time 2 |
2011 |
Claudia Wissmann |
|
 |
PROTECT ME FROM WHAT I WANT |
1983 |
Jenny Holzer |
|
 |
Red Yellow Looming |
2004 |
Jenny Holzer |
|
 |
res·o·nant |
2017 |
Mischa Kuball |
|
 |
RGB Spheres III + IV |
2005 |
Angela Bulloch |
|
 |
SCHWEIGEN |
2010 |
Gunda Förster |
|
 |
Seven Figures |
1985 |
Bruce Nauman |
|
 |
Sex and Death by Murder and Suicide |
1985 |
Bruce Nauman |
|
 |
Storming Times Square |
2014 |
Daniel Canogar |
|
 |
Terminal |
2016 |
Karolina Halatek |
|
 |
The Killing Maschine |
1995 |
Cardiff + Miller |
|
 |
The River That Flows Both Ways |
2009 |
Spencer Finch |
|
 |
Turbulent Souvenirs/Memories |
2012 |
Helga Griffiths |
|
 |
YES TO ALL |
2016 |
Sylvie Fleury |
|
 |
You Loved me like a distant Star |
2012 |
Tracey Emin |
|
