 |
3e Biennale de Paris 1963 |
1963 |
Groupe de Recherche d’Art Visuel (GRAV) |
|
 |
Agujero Negro (Cygnus X 1) |
2014 |
Björn Dahlem |
|
 |
Archive Dreaming |
2017 |
Refik Anadol |
|
 |
Destructive Observation Field |
2014 |
Robert Henke |
|
 |
Echo |
2016 |
Daniel Canogar |
|
 |
electricity – projections in a corridor, 2008 |
2008 |
Veldhues + Schumacher |
|
 |
Exploded Flat 2 |
2017 |
Jim Campbell |
|
 |
Fades |
2006 |
Carsten Nicolai |
|
 |
Fibonacci-Reihe |
2000 |
Mario Merz |
|
 |
Franchise Freedom |
2018 |
Studio Drift |
|
 |
Heliosphere |
2014 |
Matthijs Munnik |
|
 |
Infinity Room |
2015 |
Refik Anadol |
|
 |
Lichtflotte Arte Laguna |
1995 |
Waltraut Cooper |
|
 |
Lichtquadrat |
2006 |
Waltraut Cooper |
|
 |
Lighthouse |
2001 |
Vadim Fishkin |
|
 |
Microclimates |
2008 |
Helga Griffiths |
|
 |
New Light on Rome 2000 |
2000 |
Peter Erskine |
|
 |
Permeable Space |
2008 |
Carlo Bernardini |
|
 |
Refusal of time |
2012 |
William Kentridge |
|
 |
River Of Time |
2016 |
James Clar |
|
 |
Sun_Stop |
2003 |
Vadim Fishkin |
|
 |
The Milky Way |
2007 |
Björn Dahlem |
|
 |
Time Compression (A Light at the End. A Light at the Beginning.) |
2018 |
James Clar |
|
 |
Una visión otra GRAV |
2013 |
Groupe de Recherche d’Art Visuel (GRAV) |
|
 |
Wirbelwerk |
2012 |
Ólafur Elíasson |
|
 |
Wünschelmatrix (YOU&ME-isms/ Part 2) |
2013 |
Boris Petrovsky |
|
 |
Ziffern im Wald |
2003 |
Mario Merz |
|
 |
„vom Verschwinden“ / about disappearance |
2013 |
Veldhues + Schumacher |
|
 |
∴ 0=1 -inflation |
2013 |
HItoshi Kuriyama |
|
