 |
114 kw |
2006 |
Siegrun Appelt |
|
 |
160 kw |
2007 |
Siegrun Appelt |
|
 |
Access |
2003 |
Marie Sester |
|
 |
Accommodating the Epic Dispersion – On Non-cathartic Volume of Dispersion |
2012 |
Haegue Yang |
|
 |
All art has been contemporary |
2005 |
Maurizio Nannucci |
|
 |
All Places Are Temporary Palaces |
2012 |
Robert Montgomery |
|
 |
an almost ephemeral autumn |
2009 |
luzinterruptus |
|
 |
Archie & the bees |
2009 |
PIPS:lab |
|
 |
Astro 5 |
2014 |
John M. Armleder |
|
 |
Ba-O-Ba |
2002 |
Keith Sonnier |
|
 |
Ballads |
2012 |
Sarkis |
|
 |
Birdcage 2017 |
2017 |
Jeongmoon Choi |
|
 |
Bit.reflection |
2013 |
Julius Popp |
|
 |
Blinker II. Ein Lichtspieltheater |
2010 |
Timm Ulrichs |
|
 |
Catch as catch can |
2014 |
Daniel Buren |
|
 |
Chantier Marché |
1999 |
Silvio Wolf |
|
 |
Character |
2017 |
Hartung and Trenz |
|
 |
Chromotopia Heldentor |
2014 |
Victoria Coeln |
|
 |
Cloud Square |
2019 |
Karolina Halatek |
|
 |
Collapsed Gallery |
1991 |
Bigert & Bergström |
|
 |
Consol gelb |
2000 |
Günter Dohr |
|
 |
Croisement |
2018 |
Pablo Valbuena |
|
 |
Cyclocopter |
2014 |
RaumZeitPiraten |
|
 |
Das Treibhaus der Wunder |
2016 |
Francesco Mariotti |
|
 |
Das Zerfließen der Räume |
2013 |
Rainer Plum |
|
 |
Depot |
2010 |
Christine Schulz |
|
 |
Do You Think You Can Help Her Brother? |
2009 |
He An |
|
 |
Don’t look into the light |
2013 |
Dennis Parren |
|
 |
Double Vision |
2018 |
Jeongmoon Choi |
|
 |
Dystopia Stalker No. 2 |
2013 |
Lori Hersberger |
|
 |
Éclairages |
2014 |
Michel Verjux |
|
 |
Ein Stück urbaner Landschaft |
2015 |
Michel Verjux |
|
 |
Energetische Konstruktionen |
2018 |
Rainer Plum |
|
 |
Erleuchung |
2015 |
Dirk Vollenbroich |
|
 |
Excentrique(s) |
2012 |
Daniel Buren |
|
 |
Farbdepesche |
2014 |
Daniel Hausig |
|
 |
Fear |
2010 |
Marie Sester |
|
 |
Five Floors |
1992 |
Hans Peter Kuhn |
|
 |
Flashback |
2016 |
Danica Dakić |
|
 |
Florence |
1996 |
Jenny Holzer |
|
 |
Focussing Space |
1968 |
Adolf Luther |
|
 |
Fog Bridge #72494 |
2013 |
Fujiko Nakaja |
|
 |
Fog Sculpture #08025 (F.O.G.) |
1998 |
Fujiko Nakaja |
|
 |
Gegenwart II |
2010 |
Hinrich Gross |
|
 |
Global Domes XII |
2000 |
John M. Armleder |
|
 |
HackenPorsche |
2015 |
RaumZeitPiraten |
|
 |
Hide and seek |
2011 |
Nonotak Studio |
|
 |
Host |
2019 |
Antony Gormley |
|
 |
I am |
2017 |
Tavares Strachan |
|
 |
Im Vorübergehen |
1993 |
Günter Dohr |
|
 |
Indebted To You |
2018 |
Kristin McIver |
|
 |
INHOMOGENOUS |
2017 |
urbanscreen |
|
 |
inKUBATOR |
2017 |
joeressen + kessner |
|
 |
J'ai rêvé d'un autre monde |
2001 |
Claude Lévêque |
|
 |
Kinetic Skyline |
2016 |
Bill FitzGibbons |
|
 |
Kultur = Kapital |
2016 |
Alfredo Jaar |
|
 |
Kuppelblitz |
2009 |
Eberhard Bosslet |
|
 |
Licht - Raum - Erkundungen |
2017 |
Margareta Hesse |
|
 |
Licht Himmel |
2008 |
Christina Kubisch |
|
 |
Lichträume |
2019 |
Victoria Coeln |
|
 |
Lichtspieltheater |
2012 |
Vollrad Kutscher |
|
 |
Light Connection |
1997 |
Michel Verjux |
|
 |
Light going |
2015 |
Claudia Wissmann |
|
 |
Lighthouse |
2001 |
Vadim Fishkin |
|
 |
LightRails |
2013 |
Bill FitzGibbons |
|
 |
Loreley-Tetralogie |
2008 |
Ingo Bracke |
|
 |
Luma2solator |
2004 |
PIPS:lab |
|
 |
Luminous wall for Boston Harbor Bicentennial |
19641965 |
Gyorgy Kepes |
|
 |
Microuniverse |
2017 |
Diana Larrea |
|
 |
Money Is A Superstition |
2017 |
Robert Montgomery |
|
 |
Monte Sant'Angelo |
2015 |
joeressen + kessner |
|
 |
Moonlight (Venice March 10 2009) |
2009 |
Spencer Finch |
|
 |
Movement Study |
2018 |
Max Sudhues |
|
 |
MQ10 Architectural staging of the Leopold Museum |
2011 |
urbanscreen |
|
 |
Nantes/ CHATEAU DES DUCS DE BRETAGNE |
2010 |
Joanie Lemercier |
|
 |
New Light on Rome 2000 |
2000 |
Peter Erskine |
|
![Notional Field (Bietigheim-Bissingen) [2016] photo](/site/assets/files/14909/pim_pixelate_cuppetelli-mendoza_02.80x80.jpg) |
Notional Field (Bietigheim-Bissingen) [2016] |
2016 |
Cuppetelli + Mendoza |
|
 |
O (Omicron) |
2012 |
Romain Tardy AntiVJ |
|
 |
OMG |
2014 |
Jack Pierson |
|
 |
Oscillation emergence |
2018 |
Martina Tritthart |
|
 |
Permeable Space |
2008 |
Carlo Bernardini |
|
 |
photon 999 |
2001 |
Hiro Yamagata |
|
 |
Plastic Garbage Guarding the Museum |
2012 |
luzinterruptus |
|
 |
Plexus no. 36 |
2016 |
Gabriel Dawe |
|
 |
Prime Time / Prime Time 2 |
2011 |
Claudia Wissmann |
|
 |
Primordial Garden |
2016 |
Adela Andea |
|
 |
PROTECT ME FROM WHAT I WANT |
1983 |
Jenny Holzer |
|
 |
Quantum Field X3 |
2004 |
Hiro Yamagata |
|
 |
res·o·nant |
2017 |
Mischa Kuball |
|
 |
Revolving Doors |
2015 |
Chris Fraser |
|
 |
scala momentum |
2016 |
Martin Hesselmeier Andreas Muxel |
|
 |
Schattenschaukel |
2015 |
Hinrich Gross |
|
 |
Schlohweiß und Rabenschwarz |
2001 |
Christina Kubisch |
|
 |
Scrim veil—Black rectangle—Natural light |
1977 |
Robert Irwin |
|
 |
Shard of Light |
2011 |
James Nizam |
|
 |
Sign of Life |
2012 |
Hartung and Trenz |
|
 |
SOS POETRY |
2015 |
Dirk Vollenbroich |
|
 |
Space-Speed-Speech |
1998 |
Mischa Kuball |
|
 |
Speed Of Light |
2010 |
United Visual Artists (UVA) Chris Bird Matthew Clark Ash Nehru |
|
 |
Spherical Concave Mirror Object |
1975 |
Adolf Luther |
|
 |
Storming Times Square |
2014 |
Daniel Canogar |
|
 |
STS – Nomadic Light Sculpture |
2013 |
Doug Aitken |
|
 |
Terminal |
2016 |
Karolina Halatek |
|
 |
The drift |
2018 |
Romain Tardy |
|
 |
The River That Flows Both Ways |
2009 |
Spencer Finch |
|
 |
The Speaker |
1998 |
Maja Bajevic |
|
 |
The Weather Project |
2003 |
Ólafur Elíasson |
|
 |
Third Breath |
2009 |
James Turrell |
|
 |
This Beautiful Day |
2015 |
Kristin McIver |
|
 |
Thought Forms (Fan, Fold, Cube, Tetrahdron, Dart) |
2011 |
James Nizam |
|
 |
TIME |
2010 |
Christoph Hildebrandt |
|
 |
Time Waterfall – ICC Building, Hong Kong |
2016 |
Tatsuo Miyajima |
|
 |
TUNNEL # 2 |
2012 |
Gunda Förster |
|
 |
Untitled |
2018 |
Kitty Kraus |
|
 |
Venice Biennale |
2009 |
Silvio Wolf |
|
 |
Wait Here |
2008 |
Tim Etchells |
|
 |
wolkenhain.aktionen/18 BLICK:WECHSEL |
2018 |
Ingo Bracke |
|
 |
YellowBlueYou |
2017 |
Martina Tritthart |
|
 |
YES TO ALL |
2016 |
Sylvie Fleury |
|
 |
Ziffern im Wald |
2003 |
Mario Merz |
|
 |
ZOO |
1989 |
Albert Hien |
|
