One Hundred Live and Die

WerktitelOne Hundred Live and Die
Entstehungsjahr1984
Künstler
Größe
    299.7 × 335.9 × 53.3 cm
Material/Technik
    Neonröhren mit Klarglasröhren auf Metall
Kooperation/Produktionsbeteiligung/Forschungn/a
Eigentümer
    Collection Benesse Holdings, Inc. / Benesse House Museum, Naoshima
Medium/Werkform
Lichtquelle
Lichtoptische Faktoren
Wahrnehmung
Werkhistorie
1984YoutubeNaoshimaBenesse House, NaoshimaLink



One Hundred Live and Dieis what many consider to be Nauman’s masterpiece. Sad and hopeful, One Hundredflickers through each possible flippant, mundane, and tragic way to live or die in a blaze of neon exuberance. Each phrase (“LAUNCH AND LIVE,” “FALL AND DIE,” “SPIT AND LIVE,” etc.) light the room with its orange, blue, white, or whatever color it may be. It paints the room and provides a surprisingly profound commentary on life, telling a story with each phrase, reiterating just how fucked up life can be (which may elicit tears, laughter, or blank stares). In the end, One Hundred resonates with all one hundred phrases lit, blindingly beautiful and a little overwhelming. One Hundred Live and Die, like all Nauman work, play with neon and text, a physical space, and human emotion. They are absolutely beautiful and undoubtedly modern. Nauman is definitely an artist whose work you should do your damnedest to see: they are somber, they are fun, and they are inconic.

http://thefoxisblack.com/2011/02/25/bruce-nauman-one-hundred-live-and-die/

Konzeption/Themen
Besondere Merkmale Kunstwerkn/a