Collaborating since 2010, Annica Cuppetelli and Cristobal Mendoza come from two completely different backgrounds artistically—Mendoza from programming and Cuppetelli from fiber arts. Similarly, their work consists of several such interfaces: between the viewer and the piece (a human/computer interface), between the real and the virtual (the physical structure), and between the foreground and the background (as the projection interferes with its shadow). Together they developed a hybridized language of art that suggests innovative ways of interpreting contemporary ideas and technology.

https://www.denverartmuseum.org/en/exhibitions/cuppetelli-mendoza-transposition (12.07.2021)